In Praise of Female Performance Art: Marina Abramović’s Rhythm 0
In Studio Morra, Naples, 1974, there was a table with seventy-two objects. These objects varied from instruments of pleasure to instruments of pain, such as a rose, lipstick, a knife, and a gun with a bullet. Standing at the centre of this performative art piece was Marina Abramović, a Serbian conceptual and performance artist who […]
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